Cilt 5 Sayı 1, Bahar 2025

Articles

• An examination of the performances of traditional percussion instruments in Turkiye and Iran: the example of Darbuka and Tombak

  Rojin Majidi, Ali Kalkan

  1-15

  • TM-5-1-1 (Türkçe)

• Musical analysis of the ashik melodies performed by Bayram Hüseynli with piano and vocals

  Sabina Aliyeva

  17-27

  • TM-5-1-2 (Türkçe)

• Analysis of the motifs and sentence structures used by Ahmet Meter in his Hüzzâm improvisation

  İbrahim Alperen Kozak, Kibele Kıvılcım Çiftçi

  29-47

  • TM-5-1-3 (Türkçe)

• Examination of the wedding music performance practice in Turkish music culture from the perspective of music sociology

  Gülcan Ertan Hacısüleymanoğlu

  49-58

  • TM-5-1-4 (Türkçe)

• Analysis of Neriman Memmedov's Oratorio titled Azerbaijan

  Aynur Qasımova

  59-66

  • TM-5-1-5 (Türkçe)

• Semiotic convergence: makam music traditions and electronic music production in contemporary Turkish music

  Seyhan Canyakan

  67-74

  • TM-5-1-6 (Türkçe)

• Interview with Aluş Nuş and Başkim Çabrat in the city of Prizren, Kosovo, about their contributions to Balkan Turkish Music

  hasansaid hasansaid, Krenar Doli

  75-81

  • TM-5-1-7 (Türkçe)

• Interview with Sıtkı Sahil: a dialectical view of tradition and modernity in Turkish Music

  Seyhan Canyakan

  83-88

  • TM-5-1-8 (Türkçe)