Study of the etud genre in Azerbaijani piano music and the creativity of the modern composer from the example of Elnare Dadashova

Abstract

The article is dedicated to researching the position of etudes, one of the important genres of piano music, in the creativity of Azerbaijani composers. The etude genre, which is of great importance in the development of piano performance, was formed by finding its foundation in European music, various types were created, and it was represented by its own types in the works of Russian and Azerbaijani composers. In this regard, Niyazi, E. Nezirova, F. Guliyeva, E. Abbasov, C. Hajiyev, S. Ibrahimova, E. Dadashova and other composers applied to etude genre in Azerbaijan and created interesting examples of the genre originating from national roots. In this research, this subject has been examined in the example of E.Dadaşova. These works are unique with the types of etudes that serve to train young pianists, as well as examples of the artistic concert type. The main aspects that characterize the studies of Azerbaijani composers are manifested by the formation of the artistic aesthetic taste of the pianist on the national ground and the enrichment of the teaching repertoire in this direction.